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Taylor Swift Reveals Travis Kelce’s Hilarious Mix-Up with Greta Gerwig and Hugh Grant’s Wife

In a recent appearance on Seth Meyers’ “Late Night,” Taylor Swift shared a side-splitting story about her fiancé, Travis Kelce, and his encounter with Greta Gerwig and Hugh Grant’s wife, Anna Eberstein, at one of her Eras Tour shows in London.

According to Swift, Kelce was thrilled to meet Gerwig, his favorite director, and was encouraged by Swift to share his admiration for her work, particularly the movie “Barbie.” However, things took a turn when Kelce, who had been drinking, approached Eberstein and complimented her on directing “Barbie,” saying “I’m just Ken too” while pointing at Swift.

The confusion arose when Kelce later told Swift that Gerwig was dancing with Hugh Grant all night and “they kind of seemed like soulmates.” Swift was amused by this, knowing that Kelce had actually been talking to Grant’s wife, Anna Eberstein, the whole time.

“I was like, ‘Travis, here’s a video of you with Greta. It feels like she thought the joke was funny,’ and he goes, ‘Oh, that’s not Greta,'” Swift recounted, bursting into laughter.

The Mix-Up Explained

  • The Encounter: Travis Kelce met Hugh Grant’s wife, Anna Eberstein, at the VIP tent, but mistakenly thought she was Greta Gerwig.
  • The Joke: Kelce complimented Eberstein on directing “Barbie,” saying “I’m just Ken too” and pointing at Swift.
  • The Confusion: Kelce later told Swift that Gerwig was dancing with Hugh Grant and seemed like soulmates, not realizing he had been talking to Grant’s wife the whole time.

The Aftermath

Swift’s revelation has sparked laughter and amusement among fans, with many praising Kelce’s good-natured personality. The incident showcases the lighthearted and playful dynamic between Swift and Kelce, who seem to be enjoying each other’s company.

Swift’s Latest Album

This story is just one of the many fun moments Swift has shared about her relationship with Kelce. Her latest album, “The Life of a Showgirl,” has broken multiple records, including the biggest debut since Adele’s “25” and Spotify’s single-day streaming record

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